![]() He grew up in the south of France, and began his musical training at the age of 16. Nicola Sabato bass, was born on Apto an Italian father and French mother. Jean Szlamowicz is a contributor for Down Beat, a member of the Académie du Jazz in Paris and runs an organisation called Spirit of Jazz. This might well be Nicola Sabato’s best project, in any case one that shows his tremendous musical appetite and creativity, displaying his own brand of reinvented classicism. ![]() With hints of Oscar Peterson, Monty Alexander, Gene Harris and Bill Evans, the formidable Tamir Hendelman adds his own melodic touch and lets loose with committed musicality.Īs for drummer Germain Cornet, he’s got it all down- dynamics, colours and nuances are perfectly executed, whether with sticks or brushes - and brings his own subtle excitement as a drummer should. With the leader’s great rhythmic finds, (« What’s New » played with the « Poinciana » groove!), each musician can just be concerned with stretching out. With this new project, Nicola Sabato shows the extent of his talent as an arranger and moderniser, making his own the grooves of those who inspired him-Charles Mingus, Christian McBride, Jaco Pastorius, Ron Carter, Paul Chambers, Sam Jones… Using a composition by each of those illustrious bassists, Sabato showcases the stylistic diversity of jazz: swing and Latin beats, ballads and funky shuffles, melancholy classics (« Goodbye Pork Pie Hat »), upbeat contemporary songs (« The Shade of the Cedar Tree »), steaming up-tempos (« Unit 7 »)… Nicola Sabato shows exactly that with confident authority, in his aggressive soloing or the thrust of his radically swinging comping. If you’re a leader, you’re a leader.’ One does not always realise how the bassist’s character infuses the whole band sound, creating a unique groove for everyone to play on. According to unfair rumours (undoubtedly spread by jealous guitar players), bass solos are so boring that they have the power to reunite couples who didn’t speak to each other and get them to engage in conversation again.įortunately, there have been many rebuttals and Nicola Sabato is bringing new evidence of what the legendary Ray Brown once told me in his assertive tone- ‘It’s not about the instrument you play. The soloists get the acclaim while the bass remains in the shadows. The double-bass is an under-appreciated instrument. Plus, I love the concept of the album-but who doesn't? BASS, baby! īravo, Nico! Bravo, Tamir! Bravo, Germain ! » ![]() He 'velcroes' himself to the piano and drums and the music is allowed to soar as a result. This album SWINGS in the styles of our bass forefathers (especially Ray Brown, of course!), yet Nico's sound and personality are clear and distinct. I hear the big, fun loving presence, I hear the leadership qualities and I hear his desire to always be a team player. Nico Sabato's personality is clearly heard when he plays. The light hearted fills of Basie, the take-command nature of Oscar Peterson and countless other examples. Transcriptions are filed alphabetically by first name.« Often, you can hear the personality of the musician come through his/her music. Most are note-for-note transcriptions of bass parts, some are chord charts and others are a combination of the two. ![]() These transcriptions have all been done for gigs/personal research or requests from private students. If you’re using transcriptions for paid gigs or as teaching material, then a small donation to the cost of running the site would be hugely appreciated. #Tricotism lead sheet download#These free bass transcriptions are provided for educational use only (click on the transcription title to view and download the pdf). If you’re looking for bass TABs, then click HERE. This page features over 200 free bass transcriptions in standard notation. ![]()
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